rd22t
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rd22t [2022/02/26 19:32] – givanbela | rd22t [2022/08/04 10:19] – [7/25/22, 10:55 AM - golo foellmer: Kaleidophonics] givanbela | ||
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===== Thinking of transmitting the 22h piece [Title of Work] ===== | ===== Thinking of transmitting the 22h piece [Title of Work] ===== | ||
{{ : | {{ : | ||
- | How we want to do the 22h of transmission(s)? \\ | + | ==== THE SHAPE OF 22 HOURS ==== |
- | All questions will pop up on the way from idea and sound till radio. \\ | + | |
- | There will be new ideas for In(T0RN)Ventions. \\ | + | Wondering about planning creativity with premeditated and accidental events, designing envelopes over longer and shorter times, eliminating unwanted noise and glitches, living with endurance and breakdowns, dropping in and out, seeing laziness and energy, keeping up attention span while forgetting, how evolution and bifurcations or choices in nature and in our imagination clouds immediate actions, are there memories without history, and are we mere anecdotes looking forward or back, where are the rhythms? |
- | Will we transmit radically binaural or in old school stereo? | + | |
- | (Actually there is no difference only in the initial mixing | + | The longest piece I have actively listened to was probably La Monte Young' |
- | And all these questions about mobility, tourism, cross-border work, but in the end where will we be? \\ | + | |
- | At home, in another countryside, or ... in Esch? | + | |
+ | ==== TOOLS FOR A VERY LONG PERFORMANCE ==== | ||
+ | |||
+ | {{ : | ||
+ | |||
+ | One of the techniques to "stay on the job" | ||
+ | |||
+ | In our case, to create a 22 hour performance, | ||
- | Etc.. | + | Let's start to think about phased/ |
- | ===== The technics of making a 22h performance ===== | + | {{ : |
- | Let's start to think about phased/segmented sleep as a compositional structure for the work... | + | ==== 7/25/22, 10:55 AM - golo foellmer: Kaleidophonics ==== |
- | {{ :ruraldevelopment:digitalartsofa.png?400|}} | + | **Stringed options / sound layers that we build kaleidoscopic patterns from:** |
+ | * Guy: Sleep Rhythms (4 hours awake, 1/2 hour asleep), adapting to alternate patterns | ||
+ | * Kirsten: ›open mike‹ to thought and communication processes (talking and making sound/music in parallel) | ||
+ | * Golo: Reveal radio’s extremely strict patterns and highly disciplined archive sounds and play them | ||
+ | * Kirsten/ | ||
+ | * Guy: Meet at Guy’s and Dom’s and elsewhere long before Esch and record sessions that we remake live later but have for backup | ||
+ | * Guy/Golo: Play songs from all times — Documenta-Radio Songs from 2017 etc. | ||
+ | * Guy: Take up very basic concepts of playing pipes, strings, plates, membranes, bodies etc. | ||
+ | * Golo: Find the basic concepts of pipes etc. in radio history and discuss or play with them | ||
+ | * Golo: material from AM & Shortwave archives, online archives and own radio recordings | ||
+ | **Talk with Marco on 23.6.** | ||
+ | * Using and modifying live radio from Weltempfänger and radio.garden live | ||
+ | * already before/soon recordings of remote stations in radio.garden and do experiments with them on the modular (record original and at the same time live transformed version) | ||
+ | * use my superimposed recording of 24 radio shows or superimpose new ones | ||
+ | * create fragments from radio recordings that introduce the characteristic program blocks of radio ('And now the weather', | ||
+ | * Underlaying the hour structure of different times of the day to our actions, emphasizing them by modification (stretching/ | ||
+ | **ways of playing out: | ||
+ | * Tiktok | ||
+ | * Twitch |
rd22t.txt · Last modified: 2022/08/16 13:05 by golo