nopamphlets
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- | ===== Notes for Pamphlets I don't want to write. ===== | + | ===== Notes for Pamphlets I don't want to write anymore |
- | //In the bedroom next to the architect table (40 years ago, a friend was cleaning up a house and the owner, the writer Hugo Claus, wanted to get rid of it, the pedal to raise the desk doesn't work anymore and one day all the oil ran out) there is a box full of notes, from the last months only. The notes are moslty written on old envelopes, the backs of receipts, commercial flyers they still drop in the mailbox (for instance when they are selling chicken in the village). In the attic there are many more boxes, full of notes from the last 40 years. Many boxes disappeared. That happens when you are moving across Europe too much and too far. What is left, including the box next to Claus' table, will probably never be read. Today we are having apps to make notes, on phones, tablets and computers. Much easier to combine with pictures, recordings, spoken and sung by others, or just sound happening around, plans and schemes, drawings, etc and now I became a writer like everyone just endlessly and at every moment of the day creating data // | + | //In the bedroom next to the architect table (40 years ago, a friend was cleaning up a house and the owner, the writer Hugo Claus, wanted to get rid of it, the pedal to raise the desk didn't work anymore and one day all the oil ran out) there is a box full of notes, from the last months only. The notes are moslty written on old envelopes, the backs of receipts, commercial flyers they still drop in the mailbox (for instance when they are selling chicken in the village). In the attic there are many more boxes, full of notes from the last 40 years. Many boxes disappeared. That happens when you are moving across Europe too much and too far. What is left, including the box next to Claus' table, will probably never be read. Today we are having apps to make notes, on phones, tablets and computers. Much easier to combine with pictures, recordings, spoken and sung by others, or just sound happening around, plans and schemes, drawings, etc and now I became a writer like everyone just endlessly and at every moment of the day creating data // |
1. **Auto eroticism and sound art** | 1. **Auto eroticism and sound art** | ||
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4. **Creativity and Evolution** | 4. **Creativity and Evolution** | ||
- | Maybe the only way to understand creativity is to link it to the imagination, | + | Maybe the only way to understand creativity is to link it to the imagination, |
+ | a possibility to structure predictions, | ||
+ | selectively when or because it is not needed anymore. Both sex drive (humans as poseurs) | ||
+ | and archive (persistence to impress) as well as media (the aesthetics of communication) | ||
+ | can play a role, while importance is relative. | ||
+ | Hey Darwin, maybe here is your missing link between survival strategies and beauty as randomness? | ||
\\ | \\ | ||
\\ | \\ | ||
---- | ---- | ||
- | Interludium 1: Maybe Einstein was right! And rotating black holes are stable? | + | **Interludium 1** Maybe Einstein was right! And rotating black holes are stable? |
---- | ---- | ||
\\ | \\ | ||
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have you also noticed getting older that one easily becomes sort of ' | have you also noticed getting older that one easily becomes sort of ' | ||
| | ||
- | |||
- | 9. **Art & Retirement** | ||
- | |||
- | G: So, we are after 2022 and retired from the arts, can you help with the lost archives, from banana cases to digital (f)artifacts? | ||
- | D: Vasulka style? | ||
- | G: No way! | ||
- | D: You have nothing to hide | ||
- | G: The only idea is, it will be more like conservation of traces so aliens can be puzzled by it in another way | ||
\\ | \\ | ||
\\ | \\ | ||
---- | ---- | ||
- | Interludium 2: Why the social emancipation ideas behind the Commune de Paris (1870-71) are still not realized today | + | **Interludium 2** Why the social emancipation ideas behind the Commune de Paris (1870-71) are still not realized today |
---- | ---- | ||
\\ | \\ | ||
\\ | \\ | ||
---- | ---- | ||
- | Interludium 3: Somerthing | + | **Interludium 3** Something |
[[https:// | [[https:// | ||
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- | 10. (Translate!) | + | 9. **The Last Art** |
- | Ik heb het gevoel dat we er langzaam vanaf geraken van de kunst, het heeft lang genoeg geduurd lijkt het wel, en verwordt toch al tot enerzijds wat decoratie (design | + | |
+ | there is this feeling that art is over, done | ||
+ | it has been enough and was around for too long | ||
+ | | ||
+ | these days what else remains than some mere decorative objects | ||
+ | | ||
+ | then there is enough in museums and galleries that allow for | ||
+ | the leisure and fun of a one day visit | ||
+ | to send to friends and unknowns some one liners | ||
+ | with an occasional vertical picture from the phone | ||
- | 11. (Translate!) | + | 10. **Let' |
- | Tot nu toe was klank en muziek een zaak van mensen onder elkaar. Het domineren van de omgeving, van klein rondom tot de hele ruimte van de aardse dampkring. Het uitblokkeren van alle andere(n). Laren we het veranderen, omdraaien en vanaf nu enkel klank en muziek maken in de structuur van de omgeving en conform met de rijkheid van het omringende bio- en geogeluid. Gewoon luisteren en meevolgen. Van field recording naar field recoding. | + | |
- | Ook met mensen die niet weten hoe anders te spelen.. | + | till now sound and music was considered a matter of humans among one another |
+ | part of the competition of domination of an environment | ||
+ | from just around till a magistral vision of the whole earth | ||
+ | the immediate atmosphere, to block one another but also entirely | ||
+ | what is considered life, biotics and abiotica, and soon including biologics | ||
+ | (as we learned a new word from the USA military indicating extraterrestrials) | ||
+ | | ||
+ | | ||
+ | of bio and geosound phenomena: just listen and dig in, accompany, never go solo | ||
+ | | ||
+ | | ||
+ | and remember always that there is no way back | ||
+ | |||
+ | 11. **Introspection** | ||
+ | |||
+ | maybe there is no believing in the right/wrong explanation | ||
+ | maybe morality doesn' | ||
+ | maybe we are just afraid of admitting we are no one and nothing | ||
+ | to be stuck in the boredom of being alive without a purpose | ||
+ | like all other bío and abio | ||
+ | maybe that's the thing that drives us to senseless killing | ||
+ | | ||
+ | who will tell | ||
+ | |||
+ | 12. **Borders in cultural attitudes, the manufacturing of Metaphysics** | ||
+ | |||
+ | also don't write about: | ||
+ | * historical Christianity and Puritanism as a cultural outcome, following the solar border through Europe | ||
+ | * eko-anarchism and the centralized state, autonomy and submission | ||
+ | * forgiveness, | ||
+ | * political diversity, historical tax system remnants, social care | ||
+ | * metastasis or the production of cells, the creation of bodies till societies, to escape and be part of | ||
+ | |||
+ | 13. **Storytelling** | ||
+ | |||
+ | the others were getting impatient | ||
+ | they seemed lost in his kaleidoscopes and meandering details | ||
+ | they wanted a fact, a target, a straight line, a point | ||
+ | he wanted to show that circumstances were as important as the events | ||
+ | maybe there was no end | ||
+ | | ||
+ | he could only continue till they shut him up or walked out | ||
+ | |||
+ | \\ | ||
+ | \\ | ||
+ | ---- | ||
+ | **Interludium 4** The New Politician style = self-willed, | ||
+ | ---- | ||
+ | \\ | ||
+ | \\ | ||
+ | ---- | ||
+ | **Interludium 5** In the Ghent city dialect, to forgive and to poison are the same word: " | ||
+ | ---- | ||
+ | \\ | ||
+ | \\ | ||
+ | |||
+ | 14. **The Physics of Rainfall** | ||
+ | |||
+ | there is a difference between the sound of raindrops falling on roof tiles | ||
+ | | ||
+ | and its ever-changing hissing, while its delicate smells linger on | ||
+ | how to measure raindrop size and rainfall rate, its direction | ||
+ | how to weigh the mass of a single raindrop | ||
+ | and how to estimate its speed (9.8m/s to 13m/s) | ||
+ | where does it come from, really from 2000m high? | ||
+ | the end of all our onomatopoeic words | ||
+ | | ||
+ | | ||
+ | | ||
+ | this is the end of listening | ||
+ | |||
+ | 15. **Creativity is so weird but nothing special** | ||
+ | |||
+ | Read all about it: **Pareidolia** is the tendency for perception | ||
+ | to impose a meaningful interpretation on a nebulous stimulus | ||
+ | | ||
+ | where there is none | ||
+ | Also the **Kahlbaum' | ||
+ | | ||
+ | of words and sentences that are meaningless or insignificant | ||
+ | (also echolalia) | ||
+ | |||
+ | |||
+ | 16. **To forgive and to forget** | ||
+ | |||
+ | | ||
+ | When you understand the other | ||
+ | Even an apology is not needed | ||
+ | When you can see the changes | ||
+ | And understand | ||
+ | |||
+ | | ||
+ | After 20 years and more | ||
+ | Of distance | ||
+ | There would not be | ||
+ | | ||
+ | |||
+ | 22. **XXI Rurality** | ||
+ | |||
+ | | ||
+ | while it needs time to adjust to its richness and beauty, meantime | ||
+ | as an artist you become part of a kind of minority, excluded forgotten | ||
+ | while returning to the city for any reason becomes after a couple of days | ||
+ | sort of unbearable, so you return to be surrounded by the isolated others | ||
+ | (the fate of humans: not to be able to communicate with other species) | ||
+ | |||
+ | 23. **Characters** | ||
+ | |||
+ | While travelling | ||
+ | * woman with dog (c'mon Eddy, she said) | ||
+ | * nun with a baseball cap (reading and having an internal monologue) | ||
+ | * Franz und Manfred (repeating one another, with gradual changes in the conversation) | ||
+ | * older woman with the irregular sounding cracking telephone (Nordhausen! Crkrcjkrc! Beep!) | ||
+ | * spanish mother and daughter (describing a passerby saying immer blöde immer blöde) | ||
+ | * a man in a wheelchair fainting (hanging in my arms and helped by an asian girl) | ||
+ | * two men on the rolling stairs in the metro (going through my pockets and stealing my library card) | ||
+ | |||
+ | \\ | ||
+ | \\ | ||
+ | ---- | ||
+ | **Interludium 6** [[https:// | ||
+ | ---- | ||
+ | \\ | ||
+ | \\ | ||
- | 12. | + | 24. **Reco[R]dings** |
- | In the Ghent city dialect, to forgive and to poison are the same word: vergeven. | + | |
- | 15. | + | field recordings becoming |
- | Maybe i don't believe in the right/wrong explanation, | + | * using smart apps for analysis |
+ | * working on it with new creative tools e.g. descriptor based synthesis | ||
+ | * ask other people: make a citizen involved science-art | ||
- | 16. | + | 25. **The sarcasm |
- | Borders in cultural attitudes, the manufacture | + | ** |
- | - Christianity, | + | ... out of fashion today! |
- | - puritanism, the centralized state, production | + | |
- | - ottoman empire diversity, tax system remnants | + | |
- | 17. | + | 26. **Message from The Geriatric Art Club** |
- | The others were getting impatient. They seemed lost in his kaleidoscopes and meandering details. They wanted a fact, a target, | + | |
+ | maybe it's time to go (really) underground | ||
+ | | ||
+ | and hope to wake up in a new century | ||
+ | With new sounds new movements new behaviours | ||
+ | new thoughts new beauty | ||
+ | | ||
+ | | ||
+ | And kick them out of education once they are 21 | ||
+ | to give them the freedom to experiment | ||
+ | and change a world | ||
+ | | ||
+ | but if even avant-garde and alternative art | ||
+ | keeps regenerating retro-wise mythologies | ||
+ | then culture will keep producing a gradually | ||
+ | more conservative and cleansed society | ||
+ | with extreme rightist thinking rulers/ | ||
+ | maybe I am barking | ||
- | BTW the New Flemish Style: | + | 27. **Two words about climate change after 2050** |
- | Self-willed, | + | |
- | 18. | + | ONLY BURNING OR DROWNING |
- | The difference between the sound of raindrops falling on roof tiles, window panes and uncountable leaves, soil or uneven stones... after the ever-changing hissing, it's delicate smells lingering on... | + | |
- | (Add something about the sound of rain and wondering how to record it?) See The Physics of Rainfall | + | |
- | https:// | + | |
- | https:// | + | |
- | https:// | + | |
- | Rain: | + | |
- | bubble, burble, gargle, gurgle, plop, pitter-patter, | + | |
- | New word? BIOLOGICS | + | 28. **The radical Left around 1980** |
- | 19. | + | they were right about the capitalist intentions |
- | **Pareidolia** is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one sees an object, pattern, or meaning where there is none. | + | |
- | The eponymous **Kahlbaum' | + | the privatisation of all |
+ | the arts education pension funds health care transport etc... | ||
+ | the end of the autonomy of science | ||
+ | what' | ||
- | 20. | + | 29. **Song for the people we lost this year and for the people who felt lost too** |
- | Forgiveness becomes obsolete | + | |
- | When you understand | + | |
- | Even an apology is not needed | + | |
- | When you can see the changes | + | |
- | And understand | + | |
- | Hoe kan ik vergeten | + | the only thing left to do is |
- | Dat na 20 jaar en meer | + | sit outside and cry together |
- | Afstand | + | it is the end of song itself |
- | Er geen | + | there is no music when |
- | Vervreemding | + | there is only crying left |
- | Zou zijn | + | and what's the weather like |
+ | | ||
- | 21. | + | 30. **The accident** |
- | Current rightist pitch in EU = Intentional Stupidity | + | |
- | 22. | + | it happened some years ago and don't know how |
- | Morizot: | + | amnesia set in so don't ask the details |
- | Ecological crisis is a crisis of sensibility | + | |
- | Nature how we perceive | + | since then at any moment an emotional reaction occurs |
- | Quitter la ville (...) c'est aller vivre en minorité | + | never happened before or maybe these things |
- | Ecofragmentation + extractivisme | + | were not remembered either or were just indifferent |
- | Cl levi Strauss: l'impossibilité de communiquer avec les autres espèces avec lesquelles on partage la terre | + | but also something else seems to have changed in |
+ | | ||
+ | | ||
+ | or maybe, | ||
+ | in general fed up with society's fixation on preservation | ||
+ | and control, with a constantly decreasing dynamism | ||
+ | instead of a new climate of laissez faire, and openness | ||
+ | but, then it has nothing to do with the accident | ||
+ | and we don't have to remake Marinetti' | ||
+ | and never write any manifesto any more | ||
+ | |||
+ | 31. **Where are the ideologies? | ||
- | 23. | + | maybe political divisions as we see them emerge throughout the world |
- | Travelling Characters: | + | are not to be understood in old ideological terms like right vs. left |
- | - Woman with dog (c'mon Eddy) | + | maybe these are new expressions of dynamical pragmatic visions |
- | - nun with baseball cap (internal monologue) | + | attempting to control the distribution of power, industrial resources, media, etc |
- | - Franz und Manfred (repeating one another, gradual changes in conversation) | + | and align them with the new constructions of mythological etnicity and nationalism? |
- | - older woman with the irregular sounding cracking telephone (Nordhausen! Crkrcjkrc! Beep!) | + | |
- | - Spanish mother | + | they can only be satisfactory of all of them are in the middle, |
+ | | ||
+ | (how else can socialists march with nationalists with liberals and the green?) | ||
- | Prächtig product! | + | 32. **Writing** |
- | https:// | + | |
+ | | ||
+ | there is a fair chance you are talking next to the point | ||
- | a talk on the combination: | + | 33. **Air** |
- | - smart apps for analysis and recognition of species in field recordings, | + | |
- | - new creative tools e.g. descriptor based synthesis, | + | |
- | - citizen involved science-art | + | |
- | 10 | + | hold your breath |
- | varia | + | but not for too long |
- | "U Bent moedig!" | + | or it gets |
- | Kobe Matthys † | + | pathetic |
- | Erik Binder † | + | |
- | Jakub Hybler † | + | 34. **The Fool** |
- | Jirka Urbanová † | + | |
- | Adamek † | + | |
- | 25. | + | to label, to number, to list up |
- | About The Geriatric Art Club | + | is already like giving |
- | ... Maybe I was too enthusiastically supporting them in the past ... Definitely the sarcasm | + | of logical hierarchies, |
+ | | ||
+ | (Oh! what a fool I am!) | ||
- | 26. | ||
- | [12/14, 9:39 PM] Gívan Belá: Maybe I go (really) underground for a couple of years and hope to wake up in a new century | ||
- | [12/14, 9:43 PM] Gívan Belá: With new sounds new movements new behaviours new thoughts new beauty | ||
- | [12/14, 9:45 PM] Gívan Belá: Let's tell the government these kids should get young teachers | ||
- | [12/14, 9:52 PM] Gívan Belá: And kick them out of education once they are 21, give them the freedom to experiment and change a world | ||
- | [12/14, 10:19 PM] Gívan Belá: Don't get me wrong: I honour the past, but if even avant-garde and alternative keeps regenerating retro wise mythologies, | ||
- | [12/14, 10:20 PM] Gívan Belá: Maybe I am barking up the wrong tree... | ||
- | 27. | ||
- | Maybe, it's just an idea... | ||
- | Do pets and plants indoors reflect our incompetence to deal with the natural environment? | ||
- | climate change = | ||
- | BURNING OR DROWNING | ||
- | 28. | ||
- | https:// | ||
- | And also the obsession of a regulating society today: weird it's only about *punishment* - lawyers police judges - and not about _perception_ or trying to find out what is really going on in the woman' | ||
nopamphlets.1703165172.txt.gz · Last modified: 2023/12/21 14:26 by givanbela