nopamphlets
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nopamphlets [2023/12/22 10:46] – givanbela | nopamphlets [2024/02/06 10:03] (current) – givanbela | ||
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- | ===== Notes for Pamphlets I don't want to write. ===== | + | ===== Notes for Pamphlets I don't want to write anymore |
- | //In the bedroom next to the architect table (40 years ago, a friend was cleaning up a house and the owner, the writer Hugo Claus, wanted to get rid of it, the pedal to raise the desk doesn't work anymore and one day all the oil ran out) there is a box full of notes, from the last months only. The notes are moslty written on old envelopes, the backs of receipts, commercial flyers they still drop in the mailbox (for instance when they are selling chicken in the village). In the attic there are many more boxes, full of notes from the last 40 years. Many boxes disappeared. That happens when you are moving across Europe too much and too far. What is left, including the box next to Claus' table, will probably never be read. Today we are having apps to make notes, on phones, tablets and computers. Much easier to combine with pictures, recordings, spoken and sung by others, or just sound happening around, plans and schemes, drawings, etc and now I became a writer like everyone just endlessly and at every moment of the day creating data // | + | //In the bedroom next to the architect table (40 years ago, a friend was cleaning up a house and the owner, the writer Hugo Claus, wanted to get rid of it, the pedal to raise the desk didn't work anymore and one day all the oil ran out) there is a box full of notes, from the last months only. The notes are moslty written on old envelopes, the backs of receipts, commercial flyers they still drop in the mailbox (for instance when they are selling chicken in the village). In the attic there are many more boxes, full of notes from the last 40 years. Many boxes disappeared. That happens when you are moving across Europe too much and too far. What is left, including the box next to Claus' table, will probably never be read. Today we are having apps to make notes, on phones, tablets and computers. Much easier to combine with pictures, recordings, spoken and sung by others, or just sound happening around, plans and schemes, drawings, etc and now I became a writer like everyone just endlessly and at every moment of the day creating data // |
1. **Auto eroticism and sound art** | 1. **Auto eroticism and sound art** | ||
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---- | ---- | ||
- | Interludium 1: Maybe Einstein was right! And rotating black holes are stable? | + | **Interludium 1** Maybe Einstein was right! And rotating black holes are stable? |
---- | ---- | ||
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- | Interludium 2: Why the social emancipation ideas behind the Commune de Paris (1870-71) are still not realized today | + | **Interludium 2** Why the social emancipation ideas behind the Commune de Paris (1870-71) are still not realized today |
---- | ---- | ||
\\ | \\ | ||
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---- | ---- | ||
- | Interludium 3: Somerthing | + | **Interludium 3** Something |
[[https:// | [[https:// | ||
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- | 9. The Last Art | + | 9. **The Last Art** |
there is this feeling that art is over, done | there is this feeling that art is over, done | ||
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with an occasional vertical picture from the phone | with an occasional vertical picture from the phone | ||
- | 10. Let's Play | + | 10. **Let's Play** |
till now sound and music was considered a matter of humans among one another | till now sound and music was considered a matter of humans among one another | ||
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and remember always that there is no way back | and remember always that there is no way back | ||
- | 11. Introspection | + | 11. **Introspection** |
maybe there is no believing in the right/wrong explanation | maybe there is no believing in the right/wrong explanation | ||
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who will tell | who will tell | ||
- | 12. Borders in cultural attitudes, the manufacturing of Metaphysics: | + | 12. **Borders in cultural attitudes, the manufacturing of Metaphysics** |
also don't write about: | also don't write about: | ||
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* metastasis or the production of cells, the creation of bodies till societies, to escape and be part of | * metastasis or the production of cells, the creation of bodies till societies, to escape and be part of | ||
- | 13. Storytelling | + | 13. **Storytelling** |
the others were getting impatient | the others were getting impatient | ||
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| | ||
he could only continue till they shut him up or walked out | he could only continue till they shut him up or walked out | ||
+ | |||
+ | \\ | ||
+ | \\ | ||
+ | ---- | ||
+ | **Interludium 4** The New Politician style = self-willed, | ||
+ | ---- | ||
+ | \\ | ||
+ | \\ | ||
+ | ---- | ||
+ | **Interludium 5** In the Ghent city dialect, to forgive and to poison are the same word: " | ||
+ | ---- | ||
+ | \\ | ||
+ | \\ | ||
+ | 14. **The Physics of Rainfall** | ||
+ | |||
+ | there is a difference between the sound of raindrops falling on roof tiles | ||
+ | | ||
+ | and its ever-changing hissing, while its delicate smells linger on | ||
+ | how to measure raindrop size and rainfall rate, its direction | ||
+ | how to weigh the mass of a single raindrop (0.004mg to 300mg) | ||
+ | and how to estimate its speed (9.8m/s to 13m/s) | ||
+ | where does it come from, really from 2000m high? | ||
+ | the end of all our onomatopoeic words | ||
+ | | ||
+ | | ||
+ | | ||
+ | this is the end of listening | ||
+ | 15. **Creativity is so weird but nothing special** | ||
+ | |||
+ | Read all about it: **Pareidolia** is the tendency for perception | ||
+ | to impose a meaningful interpretation on a nebulous stimulus | ||
+ | | ||
+ | where there is none | ||
+ | Also the **Kahlbaum' | ||
+ | | ||
+ | of words and sentences that are meaningless or insignificant | ||
+ | (also echolalia) | ||
- | BTW the New Flemish Style: | ||
- | Self-willed, | ||
- | In the Ghent city dialect, to forgive and to poison are the same word: " | + | 16. **To forgive and to forget** |
+ | | ||
+ | When you understand the other | ||
+ | Even an apology is not needed | ||
+ | When you can see the changes | ||
+ | And understand | ||
- | 18. | + | |
- | The difference between the sound of raindrops falling on roof tiles, window panes and uncountable leaves, soil or uneven stones... after the ever-changing hissing, it's delicate smells lingering on... | + | After 20 years and more |
- | (Add something about the sound of rain and wondering how to record it?) See The Physics of Rainfall | + | Of distance |
- | https:// | + | There would not be |
- | https:// | + | Alienation |
- | https:// | + | |
- | Rain: | + | |
- | bubble, burble, gargle, gurgle, plop, pitter-patter, | + | |
- | New word? BIOLOGICS | + | 22. **XXI Rurality** |
- | 19. | + | |
- | **Pareidolia** is the tendency | + | while it needs time to adjust to its richness and beauty, meantime |
- | The eponymous **Kahlbaum' | + | |
+ | while returning to the city for any reason becomes after a couple | ||
+ | sort of unbearable, so you return to be surrounded by the isolated others | ||
+ | (the fate of humans: not to be able to communicate with other species) | ||
+ | |||
+ | 23. **Characters** | ||
- | 20. | + | While travelling |
- | Forgiveness becomes obsolete | + | * woman with dog (c'mon Eddy, she said) |
- | When you understand | + | * nun with a baseball cap (reading and having an internal monologue) |
- | Even an apology is not needed | + | * Franz und Manfred (repeating one another, with gradual changes in the conversation) |
- | When you can see the changes | + | * older woman with the irregular sounding cracking telephone (Nordhausen! Crkrcjkrc! Beep!) |
- | And understand | + | * spanish mother and daughter (describing a passerby saying immer blöde immer blöde) |
+ | * a man in a wheelchair fainting (hanging in my arms and helped by an asian girl) | ||
+ | * two men on the rolling stairs in the metro (going through my pockets and stealing my library card) | ||
- | Hoe kan ik vergeten | + | \\ |
- | Dat na 20 jaar en meer | + | \\ |
- | Afstand | + | ---- |
- | Er geen | + | **Interludium 6** [[https:// |
- | Vervreemding | + | ---- |
- | Zou zijn | + | \\ |
+ | \\ | ||
- | 21. | + | 24. **Reco[R]dings** |
- | Current rightist pitch in EU = Intentional Stupidity | + | |
- | 22. | + | field recordings becoming // |
- | Morizot: | + | * using smart apps for analysis and recognition |
- | Ecological crisis is a crisis | + | * working on it with new creative tools e.g. descriptor based synthesis |
- | Nature how we perceive and experience | + | * ask other people: make a citizen involved science-art |
- | Quitter la ville (...) c'est aller vivre en minorité | + | |
- | Ecofragmentation + extractivisme | + | |
- | Cl levi Strauss: l' | + | |
- | 23. | + | 25. **The sarcasm of the jester |
- | Travelling Characters: | + | ** |
- | - Woman with dog (c'mon Eddy) | + | ... out of fashion today! |
- | - nun with baseball cap (internal monologue) | + | |
- | - Franz und Manfred (repeating one another, gradual changes in conversation) | + | |
- | - older woman with the irregular sounding cracking telephone (Nordhausen! Crkrcjkrc! Beep!) | + | |
- | - Spanish mother and daughter (immer blöde immer blöde) | + | |
- | Prächtig product! | + | 26. **Message from The Geriatric Art Club** |
- | https://my-remy.be/product/remy-royal-stijfsel/ | + | |
+ | maybe it's time to go (really) underground | ||
+ | for a couple of years or longer | ||
+ | and hope to wake up in a new century | ||
+ | With new sounds new movements new behaviours | ||
+ | new thoughts new beauty | ||
+ | | ||
+ | | ||
+ | And kick them out of education once they are 21 | ||
+ | to give them the freedom to experiment | ||
+ | and change a world | ||
+ | don't get it wrong: we honour the past | ||
+ | but if even avant-garde and alternative art | ||
+ | keeps regenerating retro-wise mythologies | ||
+ | then culture will keep producing a gradually | ||
+ | more conservative and cleansed society | ||
+ | with extreme rightist thinking rulers/artists/organizers/etc | ||
+ | maybe I am barking up the wrong tree | ||
- | a talk on the combination: | + | 27. **Two words about climate change after 2050** |
- | - smart apps for analysis and recognition of species in field recordings, | + | |
- | - new creative tools e.g. descriptor based synthesis, | + | |
- | - citizen involved science-art | + | |
- | 10 | + | ONLY BURNING OR DROWNING |
- | varia | + | |
- | "U Bent moedig!" | + | 28. **The radical Left around 1980** |
- | Kobe Matthys † | + | |
- | Erik Binder † | + | they were right about the capitalist intentions |
- | Jakub Hybler † | + | the breakdown of social security |
- | Jirka Urbanová † | + | the privatisation of all |
- | Adamek † | + | the arts education pension funds health care transport etc... |
+ | the end of the autonomy of science | ||
+ | | ||
+ | |||
+ | 29. **Song for the people we lost this year and for the people who felt lost too** | ||
+ | |||
+ | the only thing left to do is | ||
+ | sit outside and cry together | ||
+ | it is the end of song itself | ||
+ | there is no music when | ||
+ | there is only crying left | ||
+ | and what's the weather like | ||
+ | | ||
+ | |||
+ | 30. **The accident** | ||
+ | |||
+ | it happened some years ago and don't know how | ||
+ | | ||
+ | a double salto and lying on the road upside down | ||
+ | since then at any moment an emotional reaction occurs | ||
+ | never happened before or maybe these things | ||
+ | were not remembered either or were just indifferent | ||
+ | but also something else seems to have changed in | ||
+ | | ||
+ | | ||
+ | or maybe, it is time going by and we were just | ||
+ | in general fed up with society' | ||
+ | and control, with a constantly decreasing dynamism | ||
+ | | ||
+ | but, then it has nothing to do with the accident | ||
+ | and we don't have to remake Marinetti' | ||
+ | and never write any manifesto any more | ||
+ | |||
+ | 31. **Where are the ideologies? | ||
+ | |||
+ | maybe political divisions as we see them emerge throughout the world | ||
+ | are not to be understood in old ideological terms like right vs. left | ||
+ | maybe these are new expressions of dynamical pragmatic visions | ||
+ | | ||
+ | and align them with the new constructions of mythological etnicity and nationalism? | ||
+ | |||
+ | they can only be satisfactory of all of them are in the middle, | ||
+ | and no opposition to this contradictory monolith is possible anymore | ||
+ | (how else can socialists march with nationalists with liberals and the green?) | ||
+ | |||
+ | 32. **Writing** | ||
+ | |||
+ | | ||
+ | there is a fair chance you are talking next to the point | ||
+ | |||
+ | 33. **Air** | ||
+ | |||
+ | hold your breath | ||
+ | but not for too long | ||
+ | or it gets | ||
+ | pathetic | ||
+ | | ||
+ | 34. **The Fool** | ||
- | 25. | + | to label, to number, to list up |
- | About The Geriatric Art Club | + | is already like giving |
- | ... Maybe I was too enthusiastically supporting them in the past ... Definitely the sarcasm | + | of logical hierarchies, |
+ | | ||
+ | (Oh! what a fool I am!) | ||
- | 26. | ||
- | [12/14, 9:39 PM] Gívan Belá: Maybe I go (really) underground for a couple of years and hope to wake up in a new century | ||
- | [12/14, 9:43 PM] Gívan Belá: With new sounds new movements new behaviours new thoughts new beauty | ||
- | [12/14, 9:45 PM] Gívan Belá: Let's tell the government these kids should get young teachers | ||
- | [12/14, 9:52 PM] Gívan Belá: And kick them out of education once they are 21, give them the freedom to experiment and change a world | ||
- | [12/14, 10:19 PM] Gívan Belá: Don't get me wrong: I honour the past, but if even avant-garde and alternative keeps regenerating retro wise mythologies, | ||
- | [12/14, 10:20 PM] Gívan Belá: Maybe I am barking up the wrong tree... | ||
- | 27. | ||
- | Maybe, it's just an idea... | ||
- | Do pets and plants indoors reflect our incompetence to deal with the natural environment? | ||
- | climate change = | ||
- | BURNING OR DROWNING | ||
- | 28. | ||
- | https:// | ||
- | And also the obsession of a regulating society today: weird it's only about *punishment* - lawyers police judges - and not about _perception_ or trying to find out what is really going on in the woman' | ||
nopamphlets.1703238371.txt.gz · Last modified: 2023/12/22 10:46 by givanbela