nopamphlets
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nopamphlets [2023/12/22 12:54] – givanbela | nopamphlets [2024/02/06 10:03] (current) – givanbela | ||
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- | ===== Notes for Pamphlets I don't want to write. ===== | + | ===== Notes for Pamphlets I don't want to write anymore |
- | //In the bedroom next to the architect table (40 years ago, a friend was cleaning up a house and the owner, the writer Hugo Claus, wanted to get rid of it, the pedal to raise the desk doesn't work anymore and one day all the oil ran out) there is a box full of notes, from the last months only. The notes are moslty written on old envelopes, the backs of receipts, commercial flyers they still drop in the mailbox (for instance when they are selling chicken in the village). In the attic there are many more boxes, full of notes from the last 40 years. Many boxes disappeared. That happens when you are moving across Europe too much and too far. What is left, including the box next to Claus' table, will probably never be read. Today we are having apps to make notes, on phones, tablets and computers. Much easier to combine with pictures, recordings, spoken and sung by others, or just sound happening around, plans and schemes, drawings, etc and now I became a writer like everyone just endlessly and at every moment of the day creating data // | + | //In the bedroom next to the architect table (40 years ago, a friend was cleaning up a house and the owner, the writer Hugo Claus, wanted to get rid of it, the pedal to raise the desk didn't work anymore and one day all the oil ran out) there is a box full of notes, from the last months only. The notes are moslty written on old envelopes, the backs of receipts, commercial flyers they still drop in the mailbox (for instance when they are selling chicken in the village). In the attic there are many more boxes, full of notes from the last 40 years. Many boxes disappeared. That happens when you are moving across Europe too much and too far. What is left, including the box next to Claus' table, will probably never be read. Today we are having apps to make notes, on phones, tablets and computers. Much easier to combine with pictures, recordings, spoken and sung by others, or just sound happening around, plans and schemes, drawings, etc and now I became a writer like everyone just endlessly and at every moment of the day creating data // |
1. **Auto eroticism and sound art** | 1. **Auto eroticism and sound art** | ||
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- | Interludium 1: Maybe Einstein was right! And rotating black holes are stable? | + | **Interludium 1** Maybe Einstein was right! And rotating black holes are stable? |
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- | Interludium 2: Why the social emancipation ideas behind the Commune de Paris (1870-71) are still not realized today | + | **Interludium 2** Why the social emancipation ideas behind the Commune de Paris (1870-71) are still not realized today |
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- | Interludium 3: Somerthing | + | **Interludium 3** Something |
[[https:// | [[https:// | ||
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- | 9. The Last Art | + | 9. **The Last Art** |
there is this feeling that art is over, done | there is this feeling that art is over, done | ||
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with an occasional vertical picture from the phone | with an occasional vertical picture from the phone | ||
- | 10. Let's Play | + | 10. **Let's Play** |
till now sound and music was considered a matter of humans among one another | till now sound and music was considered a matter of humans among one another | ||
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and remember always that there is no way back | and remember always that there is no way back | ||
- | 11. Introspection | + | 11. **Introspection** |
maybe there is no believing in the right/wrong explanation | maybe there is no believing in the right/wrong explanation | ||
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who will tell | who will tell | ||
- | 12. Borders in cultural attitudes, the manufacturing of Metaphysics: | + | 12. **Borders in cultural attitudes, the manufacturing of Metaphysics** |
also don't write about: | also don't write about: | ||
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* metastasis or the production of cells, the creation of bodies till societies, to escape and be part of | * metastasis or the production of cells, the creation of bodies till societies, to escape and be part of | ||
- | 13. Storytelling | + | 13. **Storytelling** |
the others were getting impatient | the others were getting impatient | ||
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- | Interludium 4: The New Politician style = self-willed, | + | **Interludium 4** The New Politician style = self-willed, |
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- | Interludium 5: In the Ghent city dialect, to forgive and to poison are the same word: " | + | **Interludium 5** In the Ghent city dialect, to forgive and to poison are the same word: " |
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- | 14. The Physics of Rainfall | + | 14. **The Physics of Rainfall** |
there is a difference between the sound of raindrops falling on roof tiles | there is a difference between the sound of raindrops falling on roof tiles | ||
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this is the end of listening | this is the end of listening | ||
- | 15. Creativity is always | + | 15. **Creativity is so weird but nothing special** |
Read all about it: **Pareidolia** is the tendency for perception | Read all about it: **Pareidolia** is the tendency for perception | ||
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- | 16. To forgive and to forget | + | 16. **To forgive and to forget** |
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- | + | 22. **XXI Rurality** | |
- | 22. XXI Rurality | + | |
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(the fate of humans: not to be able to communicate with other species) | (the fate of humans: not to be able to communicate with other species) | ||
- | 23. Travelling | + | 23. **Characters** |
+ | While travelling | ||
* woman with dog (c'mon Eddy, she said) | * woman with dog (c'mon Eddy, she said) | ||
* nun with a baseball cap (reading and having an internal monologue) | * nun with a baseball cap (reading and having an internal monologue) | ||
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- | Interludium 6: [[https:// | + | **Interludium 6** [[https:// |
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- | 24. Reco[R]ding | + | 24. **Reco[R]dings** |
field recordings becoming // | field recordings becoming // | ||
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* ask other people: make a citizen involved science-art | * ask other people: make a citizen involved science-art | ||
- | 25. The sarcasm of the jester | + | 25. **The sarcasm of the jester |
+ | ** | ||
... out of fashion today! | ... out of fashion today! | ||
- | 26. Message from The Geriatric Art Club | + | 26. **Message from The Geriatric Art Club** |
| | ||
maybe it's time to go (really) underground | maybe it's time to go (really) underground | ||
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maybe I am barking up the wrong tree | maybe I am barking up the wrong tree | ||
- | 27. Two words about climate change after 2050 | + | 27. **Two words about climate change after 2050** |
ONLY BURNING OR DROWNING | ONLY BURNING OR DROWNING | ||
+ | |||
+ | 28. **The radical Left around 1980** | ||
+ | |||
+ | they were right about the capitalist intentions | ||
+ | the breakdown of social security | ||
+ | the privatisation of all | ||
+ | the arts education pension funds health care transport etc... | ||
+ | the end of the autonomy of science | ||
+ | | ||
+ | |||
+ | 29. **Song for the people we lost this year and for the people who felt lost too** | ||
+ | |||
+ | the only thing left to do is | ||
+ | sit outside and cry together | ||
+ | it is the end of song itself | ||
+ | there is no music when | ||
+ | there is only crying left | ||
+ | and what's the weather like | ||
+ | | ||
+ | |||
+ | 30. **The accident** | ||
+ | |||
+ | it happened some years ago and don't know how | ||
+ | | ||
+ | a double salto and lying on the road upside down | ||
+ | since then at any moment an emotional reaction occurs | ||
+ | never happened before or maybe these things | ||
+ | were not remembered either or were just indifferent | ||
+ | but also something else seems to have changed in | ||
+ | | ||
+ | | ||
+ | or maybe, it is time going by and we were just | ||
+ | in general fed up with society' | ||
+ | and control, with a constantly decreasing dynamism | ||
+ | | ||
+ | but, then it has nothing to do with the accident | ||
+ | and we don't have to remake Marinetti' | ||
+ | and never write any manifesto any more | ||
+ | |||
+ | 31. **Where are the ideologies? | ||
+ | |||
+ | maybe political divisions as we see them emerge throughout the world | ||
+ | are not to be understood in old ideological terms like right vs. left | ||
+ | maybe these are new expressions of dynamical pragmatic visions | ||
+ | | ||
+ | and align them with the new constructions of mythological etnicity and nationalism? | ||
+ | |||
+ | they can only be satisfactory of all of them are in the middle, | ||
+ | and no opposition to this contradictory monolith is possible anymore | ||
+ | (how else can socialists march with nationalists with liberals and the green?) | ||
+ | |||
+ | 32. **Writing** | ||
+ | |||
+ | | ||
+ | there is a fair chance you are talking next to the point | ||
+ | |||
+ | 33. **Air** | ||
+ | |||
+ | hold your breath | ||
+ | but not for too long | ||
+ | or it gets | ||
+ | | ||
+ | |||
+ | 34. **The Fool** | ||
+ | |||
+ | to label, to number, to list up | ||
+ | is already like giving in to the domination | ||
+ | of logical hierarchies, | ||
+ | and the reversal of purpose and means | ||
+ | (Oh! what a fool I am!) | ||
+ | |||
+ | |||
nopamphlets.1703246083.txt.gz · Last modified: 2023/12/22 12:54 by givanbela